{"id":2710,"date":"2020-08-11T07:01:10","date_gmt":"2020-08-11T07:01:10","guid":{"rendered":"https:\/\/2021.muinsuskaitsepaevad.ee\/naitusest\/"},"modified":"2022-01-06T13:44:08","modified_gmt":"2022-01-06T13:44:08","slug":"about-the-exhibition","status":"publish","type":"page","link":"https:\/\/2021.muinsuskaitsepaevad.ee\/en\/about-the-exhibition\/","title":{"rendered":"About the Exhibition"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table><tbody><tr><td><br><br><br>This year\u2019s Heritage Days (9.\u201312.09.2021) are devoted to introducing hidden heritage. By virtue of this, the National Heritage Board\u2019s virtual exhibition is dedicated to introducing heritage related to monumental art \u2013 an artform, which has revelled in great attention throughout the stages of the 20th century, but has borne witness to widespread neglect and ruin with the changing of political regimes.<br>\u00a0<br>Why exactly was public art of the Soviet Era chosen as the matter of the exhibition? The objects of the exhibition have been designed into public space during their time in order to be visible to and communicate with the viewer, however, that very reason has become fatal for them. The mosaic in the hall of a collective farm\u2019s clubhouse, the sgraffito in the lobby of a kindergarten, the metal figure on the fa\u00e7ade of a cultural centre, the stained glass in a hospital\u2019s waiting room \u2013 all of them have seemingly always existed and have thus blended into the background of our daily commutes. It is often difficult to acknowledge that which is too close around us, and perceiving it as art is an even tougher nut to crack.<br>\u00a0<br>The exhibition provides an overview of Soviet Era monumental-decorative arts in Estonia \u2013 pieces that arose after Stalin\u2019s death, and that were intended to shape and embellish public space. It was a genre specific to the Eastern Bloc, which helped communicate \u201cprogressive\u201d messages both to itself and to the world, at least according to its initial concept. Most of the socialist states had \u201cpercentage laws\u201d that advocated the commission of art. Art institutes taught monumental painting specialists, art scholars developed the language of the field and commissioning clients tried to outdo each other. Tens of thousands of architecture-related artworks were created in the Soviet Union, and their total number could have reached one thousand in Estonia as well. Our exhibition includes a selection of fifty examples to aid our attempt at illustrating the broadness of the subject. Broadly speaking, the choice can be divided into three: pieces directly related to architecture (murals, mosaics, stained glass, pannels etc.), decorative sculptures, and monuments conveying ideological messages.<br><br><br>  <br><br><br><strong>Curators:<\/strong> Anu Sooj\u00e4rv, Gregor Taul<br><strong>Exhibition panel<\/strong>: Saara Huimerind-Tuksam, Madle Lippus, Anu Sooj\u00e4rv, Gregor Taul<br><strong>Text authors:<\/strong> Hilkka Hiiop, Anna-Liiza Izba\u0161, Juta Kivim\u00e4e, Reeli K\u00f5iv, Kai Lobjakas, Johanna Lamp, Frank Lukk, Enriko M\u00e4sak, Tuuli Puhvel, Mia Rohumaa, Anu Sooj\u00e4rv, Gregor Taul, Madis Tuuder, \u200b\u200bHelen Volber, Merike Kallas, Varje \u00d5unapuu, T\u00f5nu Tammearu, Robert Treufeldt, Jaan Malin<br><strong>Editors:<\/strong> Anu Sooj\u00e4rv. Gregor Taul<br><strong>Copy editor: <\/strong>Mari Klein<br><strong>Historical photos:<\/strong> Eesti Arhitektuurimuuseum, Eesti Rahvusarhiiv, Eesti Rahva Muuseum, Narva Muuseum, Rannarahva Muuseum, Eesti Kunstimuuseum, Eesti Tervisemuuseum, Tallinna Linnamuuseum, Eesti Tulet\u00f5rjemuuseum, Virumaa Muuseumid SA, Narva Muuseum, Eesti Ajaloomuuseum, V\u00f5rumaa Muuseum, Reeli K\u00f5iv<br><strong>Contemporary photos<\/strong>: Paul Kuimet, Martin Siplane, Gregor Taul, Anu Sooj\u00e4rv, Joel Leis, Kristiina Frolova, Eve Kiiler, Randel Saveli, EKA muinsuskaitse ja konserveerimise osakond<br><strong>Special thanks to:<\/strong> Leonhard Lapin, Siim Tuksam, Arcwood, TL\u00dc Akadeemiline Raamatukogu<\/td><td><br><br><br>Such artworks are often observed as something inherently Soviet and ideological. On closer inspection of the subject, it becomes clear that most of them are the creations of professional artists and the best of the time, and the works related to architecture seldom present direct ties to the Soviet regime. Instead of ideological symbols or storylines, the scene is dominated by universal messages, references to local life, and often abstract or heavily symbolic figures.&nbsp;<br>&nbsp;<br>The artworks are hidden in cultural centres, former collective farm and state farm centres, schools, and other public buildings around Estonia. They are often in spaces that most people do not have access to or any reason to visit. Thus, many of these pieces are literally hidden, unknown and undiscovered. Additionally, the monuments often stand in peripheral parks and groves, unbeknownst to the general public.<br>&nbsp;<br>Since the monumental-decorative arts of the Soviet Era has not been thoroughly mapped, it is difficult to foretell how many of such pieces are still undiscovered, how many have been destroyed or how many lost. It is clear that a lot of public space artworks in different styles and techniques were created during the observed period. We wish to illustrate the diversity of the genre in our exhibition, featuring pieces with high artistic value and compositions with predominantly decorative applications, artworks made with a variety of techniques and materials. The exhibition represents a cross-section of what we know. With it, we wish to build the foundation for an extensive mapping program of the monumental-decorative arts of Soviet Era Estonia. A comprehensive overview of the Soviet monumental artworks preserved in Estonia would allow to typologize the material and categorize it by value, which would significantly facilitate the resolution of questions regarding preservation. There are currently around 20 artworks under conservation as cultural monuments, however, there are plenty more that have the potential to be taken under conservation.&nbsp;<br>&nbsp;<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"This year\u2019s Heritage Days (9.\u201312.09.2021) are devoted to introducing hidden heritage. By virtue of this, the National Heritage Board\u2019s virtual exhibition is dedicated to introducing heritage related to monumental art \u2013 an artform, which has revelled in great attention throughout the stages of the 20th century, but has borne witness to widespread neglect and ruin [&hellip;]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-exhibition.php","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>About the Exhibition - Muinsuskaitsep\u00e4evad<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2021.muinsuskaitsepaevad.ee\/en\/about-the-exhibition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About the Exhibition - Muinsuskaitsep\u00e4evad\" \/>\n<meta property=\"og:description\" content=\"This year\u2019s Heritage Days (9.\u201312.09.2021) are devoted to introducing hidden heritage. 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